This issue (or a slight twist of it) came up recently on another website that I like to hang out on. The writer was asking the question of what the right approach was when it came to the troublesome Point of View. In this case, the writer was trying desperatly to follow a rule she had been told, but in the end, realized the scene was in the wrong POV. She had done it from the heroine's POV and it really needed to be in the hero's. Needless to say, she was VERY troubled.
So, with that said, what are the rules?
The simple truth is there really isn't any rule. The goal is to tell a dang fine story and to make it work. In her case, I told her that if the ratio of POV shifts was 75/25 and it worked, then do it. And really, the rule works for all of those other wonderful "rules" that writers like to preach in sessions at writing conferences or on their blogs.
Now, please don't get me wrong. I am not saying this is a time for a complete free-for-all writing fest where writers do anything. Remember the goal is to tell a story that makes sense, is marketable and draws the reader in.
I had a conference with my son's fifth grade teacher today and she was describing the perfect type of story. She wanted her kids to find that story that when they were finished with it, they were upset it ended. That is the rule you shoot for when it comes to writing. Write a story that works just like that and you have a best seller. Hook me from the first line and keep me hooked until the end.
Scott
